| ARTICLES
ON ART IN MAGAZINES AND NEWSPAPERS |
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"Three
Mexican Painters: Rufino Tamayo, Carlos Mérida, and
José Luis Cuevas," The Miami Herald, Lively
Arts, July 6, 1975.
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"The Artist in Exile: Cundo Bermúdez,
José Mijares, Baruj Salinas, and Rafael Soriano,"
The Miami Herald, Lively Arts, August 31, 1975. |
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"Identidad Nacional en las artes
plásticas de México y el Caribe,"
Vanidades Continental, Libro Especial, Diciembre, 1978.
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"La poesía norteamericana
y sus lecciones: Richard Wilbur, Richard Eberhart y John Ciardi,"
Vanidades Continental, Libro Especial, Diciembre, 1978.
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Review of Max-Pol Fouchet, Wifredo
Lam, in Caribbean Review, October-December, 1978,
Vol.7, No.4. |
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"Art in Exile," Américas,
August, 1980, Vol.32, No.8. |
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"Man and Nature in Central American
Painting," Caribbean Review, Winter, 1981,
Vol.10, No.1. |
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"Dirube y el Desarrollo de una Esfera,"
El Nuevo Día, San Juan, Domingo, Mayo 17, 1981. |
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"Rolando Dirube: Reflections in an
Unseeing Eye," Américas, March, 1981,
Vol.33, No.3. |
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"Mijares y el barroco cubano,"
El Miami Herald, Galería, Septiembre 6, 1981. |
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"Orígenes del arte moderno
en Cuba," El Miami Herald, Galería,
Octubre 4, 1981. |
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"El desarrollo de las artes plásticas
en Cuba," El Miami Herald, Galería,
Octubre 25, 1981. |
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"David Manzur y las leyendas del sueño,"
El Miami Herald, Diciembre 27, 1981. |
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"Rafael Soriano," Hombre
de Mundo, Noviembre, 1981, Vol.6, No.11. |
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"Nuevos grabados de Dirube,"
Plástica, Julio, 1981, No.7. |
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"La fruta en el arte latinoamericano,"
GeoMundo, Junio, 1982. |
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"La arquitectura en el arte latinaomericano,"
Hombre de Mundo, Junio, 1982. |
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From 1982-1984 contributed as an
art critic to Vanidades Continental, with a regularly
appearing section. Articles in this section have been on Jesús
Soto, Fernando Botero, Enrique Castro-Cid, José A. Velázquez,
Clarence Carter, Larry Rivers, James Rosenquist, Lew Wilson,
Peggy Guggenheim Collection in Venice, Edouard Manet, Claude
Monet, Haitian art, Alejandro Obregón, Humberto Calzada,
Rogelio Polesello, Juan Carlos Liberti, Julio Rosado del Valle,
Enrique Gay García, Grove Isle Sculpture Garden and other
subjects. |
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"La navidad en el arte europeo,"
GeoMundo, Diciembre, 1982. |
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"El Museo Tamayo," GeoMundo,
Octubre, 1982. |
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"Stairs and Ovoids: Symbols of Symbols
in Clarence Carter's Art," Arts Magazine,
September, 1982, Vol.57, No.1. |
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"El combate en el arte latinoamericano,"
Hombre de Mundo, Enero, 1983. |
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"In Light's Dominion: The Art of Rafael
Soriano," Caribbean Review, Summer, 1982,
Vol.11, No.3. |
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"Botero and the New Folklore,"
Art International, July-August, 1983, Vol.36, No.3. |
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"Landscape and Temporality in Central
American and Caribbean Painting," Art International,
January-March, 1984, Vol.27, No.1. |
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"Oswaldo Vigas y su labor creativa,"
GeoMundo, número especial sobre Venezuela, Octubre,
1983. |
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"Image du Bâti,"
Connaissance des Arts (French), Fev., 1984, No.384.
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"Latin America's Oneiric Art: The
Dream as Thought," Dreamworks, Vol.3, No.4,
1983-84. |
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"On Latin American Art,"
Michigan Quarterly Review, Spring, 1984, Vol. 23, No.2. |
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"La nueva pintura de Mario Bencomo,"
La Estrella, Panamá, Marzo 15, 1984. |
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"Calzada's Architecture of Memory,"
Caribbean Review, Vol.13, No.2. |
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"Las esculturas de Gay García,"
El Miami Herald, Galería, Julio 29, 1984. |
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"La vera arte latinoamericana,"
(Italian), Terzo Occhio, No.36, Sept, 1985. |
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"Abstraction and Representation: Julio
Rosado del Valle's Visual Innocence," Caribbean
Review, Vol.14, No.4, Fall, 1985. |
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"The Art of Castro-Cid and the Transcendence
of Will," New Orleans Review, Vol.13,
No.1, Spring, 1986. |
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"The Dream of Order: Four Approaches
to Identity and Flux in Art," focusing on the works
of Clarence Carter, Humberto Calzada, Christopher Mangiaracina,
and José Luis Cuevas. Dreamworks, Vol.4, No.5,
1984-85. |
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"Artists Lead Dade to Cultural Fusions,"
The Miami News, January 1, 1986, 11-A. |
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"The Dreamt Objectivities of Maria
Brito-Avellana," Dreamworks,
Vol.5, No.2, 1986-87. |
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"Latin Americanism," focusing
on Latin American artists living in Miami. Interview,
September, 1986, Vol. 16, No.9. |
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"Painters of Time," focusing
on Latin American painters such as Rufino Tamayo, Roberto Matta,
Frida Kahlo, Rafael Soriano, Joaquín Torres-García,
et al, Art International, Vol.1, No.1, Autumn, 1987. |
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"Carlos Alfonzo: The Textuality of
Painted Surfaces," Caribbean
Review, Vol.l6, No. 1, Spring, 1988. |
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| "Miami:
Glass Dragonfly," focusing
on six Miami artists: Carlos Alfonzo, Humberto Calzada, Enrique
Castro-Cid, Christine Federighi, Christopher Mangiaracina and
Purvis Young, Art International, Vol.1, No.5, Winter
1988. |
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"A Convergence of Visual Cultures,"
dealing with Clarence Carter, Antonio Amaral, Marta Minujín,
Paul Sierra, Francisco Toledo and Tobi Kahn, Art International,
No.6, Spring, 1989. |
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"¿Quién es un exiliado?"
(Who is an Exile?) El Nuevo Herald (Miami), June
17, 1989, p.10-A. |
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"Cuban-American Artists of the Eighties,"
Cuban Heritage, Florida International University, Vol.3,
No.1, Spring, 1990. |
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"Costa Rican Art and the Latin American
Visual Imagination," Caribbean
Review, Vol. 16, Nos. 3 & 4, Summer, 1990.
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"The Legacy of Torres-García:
Latin America's Magical Realism," Art
International, dealing with Joaquín Torres-García,
Agustín Fernández, Fernando de Szyszlo, Ana Isabel
Martén, and Arnaldo Roche Rabell. No. 12. Fall, 1990.
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"The Paintings of Adriano Lambe and
Julio Antonio," La
Bête, Vol. 1, No. 1, November, 1990. |
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"Letter from Venezuela,"
Art International,
No. 13, Winter 1991. |
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"The Oasis of the Infinite: Rafael
Soriano and Enrique Castro-Cid," Drawing,
Vol. 12, No. 5, January-February, 1991. |
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"Cuban Art in South Florida,"
Cuban Exiles in Florida:
Their Presence and Contribution, ed. Antonio Jorge and Jaime
Suchlicki, University of Miami, North-South Center, 1991. |
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"The Art of Being in Exile,"
article on Miami visual artists, Apalachee Quarterly,
Exile Issue, No. 38, Fall 1992. |
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"Light and Time in Víctor Chab's
Paintings," Arte al Día
(Buenos Aires), Vol. 13, No. 45, August 1992, English text with
Spanish trans. |
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"Latin American Art: Surviving Distortion,"
Drawing, Vol. 14,
No. 4, Nov.-Dec. 1992. |
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"Von Dangel: A Luxurious Debate with
Death," Art Papers Vol. 17, No. 2, April
1993. |
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"Víctor Valera,"
El Universal (Caracas), March 28,
1993, p. 4-4. |
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"Szyszlo y el Prisma del Tiempo/ Szyszlo
and the Prism of Time," Arte
al Día (Buenos Aires), Año 14,
August 1993, English text with Spanish trans. |
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"The Times of Our Lives: Two Latin
American Sculptors--Agustín Cárdenas & Eduardo
Ramírez Villamizar," Planet
(Wales, UK), No.101, October 1993. |
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"El Tiempo en la Obra de Eduardo Ramírez
Villamizar," El Universal
(Caracas), Feb 27. 1994. |
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"Eduardo Ramírez Villamizar:
Homenaje a los Artífices Precolombinos,"
Arte Internacional
(Bogotá), No. 19, May 1994. |
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"Luisa Richter: Viaja a la Insularidad,"
Arte Internacional
(Bogotá), No. 20, Julio-Sept 1994. |
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"Strangers at Hand: Miguel Von Dangel,
José Bedia and Arnaldo Roche Rabell," Drawing,
Vol. 16, No. 5, January-February 1995. |
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"The Loyal Dog of Dread: the Art of
Ronald González," Art
Papers, Vol. 20, No. 3, May/June 1996. |
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Regularly appearing reviews of South Florida
art exhibitions, in (¡Exito! magazine, Miami,
FL, starting on Sept. 20, 1995, to March 16, 1997. |
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"Karina Chechik: The Necessary Labyrinth,"
Art Papers, Vol. 20, No. 4, July/August
1996. |
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"Miguel Von Dangel," Sculpture,
Vol. 15, No. 8, October 1996. [Included in Readings in
Modern Latin American Art edited by Patrick Frank, New
Haven & London: Yale University Press, 2004.] |
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Review of the Caracas Art Fair, Sculpture,
Vol. 15, No. 9, November 1996. |
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"Eduardo Ramírez Villamizar,"
Sculpture, Vol. 15, No. 10, December 1996. |
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Review of Rubén Torres-Llorca solo
exhibition at the Miami Art Museum, Sculpture, Vol. 16,
No. 3, March 1997. |
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"The Before that Comes After: the
Drawings of Juan José Molina," Drawing,
Vol. 18, No. 4, Spring 1997. |
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"Jesús Soto: Feeling the Infinite,"
Sculpture, Vol. 16,
No. 6, July/August 1997. |
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"Melquíades Rosario Sastre:
Space as Body," Sculpture, Vol. 16, No. 7,
September 1997. |
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"Enrique Renta: Point of View," Arte
al Día (Buenos Aires), No. 72, Vol.19, November 1998,
English text with Spanish trans. |
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"Ernesto Zaléz: Reverberation,"
Arte al Día
(Buenos Aires), No. 72, Vol.19, November 1998, English text
with Spanish trans. |
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"Arnaldo Roche Rabell: The Vortex
of Life," Arte
al Día (Buenos Aires), No. 88, Octubre 2001.
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"Nicolás Leiva: Transformative
Labyrinths," Soutward
Art (Buenos Aires), Vol.2, No.5, Sep-Nov 2001. |
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"Carlos Ulloa: Body, Humor, and Other Systems," Sculpture,
Vol. 21, No. 3, April 2002. |
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"Juan José Molina: The Body
Comedy," Arte al Día (Buenos
Aires), No. 90, March/April 2002. |
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“Nestor Alí Quiñones:
Toward an Apollonian Expressionism,” Arte
al Día (Buenos Aires), No. 107, February-March 2005. |
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“Melquíades Rosario Sastre:
When Mastery Means Something,” Arte
al Día (Buenos Aires), No. 108, April-May 2005.
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Review of Melvin Martínez solo
exhibition at Viota Gallery, San Juan, Arte al Día
(Buenos Aires), No. 109, June-July 2005. |
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“The Journey of Shelter: An Approach
to Rafael Gómez-Barros,” Arte al Día,
No. 111, November 2005. |
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Review of Susana Lescano solo exhibiton
at Alejandra Von Hartz Gallery, Miami, FL, Sculpture,
Vol. 25, No. 8, October 2006. |
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Review of Nicolás Leiva solo
exhibition at Church of San Guiseppe, Palazzo della Esposizione,
Faenza, Italy, Sculpture, Vol. 26, No. 1, January-February
2007. |
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© Copyright 2015 Ricardo Pau-Llosa. All
rights reserved Ricardo Pau-Llosa. All work within this site
unless otherwise noted ™ |
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